Monday-ish Coffee : Cast a Wide Net

I’ve been thinking about the results of That Poll on how our creativity and our loved ones interact.   If you’re a numbers fiend, here are the poll results in order of how many votes each choice received:

  • Being part of a supportive writing community: 25% of the choices that people made included this choice
  • Being a writer is a lonely life; at the end of the day, your support system doesn’t do the writing – you do: 18%
  • My dear ones are supportive of my writing, so it’s never been an issue: 14%
  • Other: 13% (which included everything from meeting your friendly neighborhood librarian – a great idea! – to waiting to show your work in real life print )
  • Hermitting: 11%
  • Creating a supportive community: 10%
  • Putting a firewall between my writing life and my other life : 7%
  • Therapy : 2%

I found a lot to be heartened about here : for example, that many of us have supportive people to hang out with when our daily support system isn’t quite working for us.

I’m also impressed at the complexities we encompass: we can simultaneously love people and understand that they can’t be everything to us all the time; we can be solitary in creation but we nurture that process through interactions.

File:Woman mending a fish net.jpg

 In short, we’re good at casting a wide net to help ourselves create, whether that net grabs us a “room of one’s own” or a support system to be part of.

One thing I didn’t poll on is the professional support that creative people sometimes need/choose to have: editors, agents, publishers, typists, translators, transcribers, teachers, writing groups. I’m going to let Andrea introduce her wonderful editor, but I wanted to mention the editing company because Write Helper is running the Burning The Midnight Oil Poetry Contest, a rare contest that provides cash prizes for the winners, plus a free critique for all entrants. So if you’re a poet casting your net for new places to place your work, the contest is open now through next week (Oct 31st) – throw your net out onto the waters, see what comes back to you !

[ina’s note: This was supposed to be Monday’s post, but we had a time dependent notification to put up yesterday. So, we’re having coffee a day late. Y’all don’t mind late coffee, I hope? We can even make it decaf if you like 🙂 ]

A note for the contest entrants

If you entered our first writing contest and have decided to use Andrea’s offer of an entry to the Write Helper Burning the Midnight Oil poetry contest, here’s how you use that code:

  • Write to Amy’s email address: amy@thewritehelper.com
  • In your email, make sure to give her your name, your entry code and your contact information

If you have any questions please feel free to contact us through our Contact form ! And GO POET TEAM!!! RAH! RAH!

File:Onigiri cheerleader.gif

Friday surprise: you, yes you, won!

Teresa-bandettini

Coming home from work after a long week of this and that, closing all the doors, hitting the keys, opening favorite blogs and seeing, yes, seeing your name in print.

Someone says you won something?

The Spaniards 240-El PoetaToday, I say that because so many poets won my heart,  I will make this Friday special for:

  • Hana Haatainen Caye
  • Linda Swenski
  • Sharon Ingraham
  • Mariya Koleva
  • Meena Rose
  • Jlynn Sheridan
  • Madeleine Begun Kane
  • Michelle Hed
  • Linda H
  • Pearl Ketover Priilik
  • Dennis Dripps

I offer each of  these poets one free entry each for the poetry contest at www.thewritehelper.com!

So if your name is on the list, please go to the website and read more about Amy‘s contest and tell us here within the next week if you want to use your free entry – and if you do, I will contact you and give you a code you must use for your entry.

A month ago I offered a prize of kr. 100 and we ended up honoring two poets and divided the 100 kroner note into two 50 kroner notes. Only I wanted to honor all the poets who came by and supported us and now, that’s what I am doing today (each entry costs 7 dollars and that’s more or less 50 kroner).

Now you 11 poets – now you have a chance of winning prizes of $100, $50, and $25 because that’s what Amy is offering over there for her winners.

Ina and I will be standing out somewhere on the sideline biting our fingernails and now and again cheering: GO, GO, GO!

Connections: a little time with Daniel Ari

Please welcome the co-winner of our first  Poetry Prompt Contest, Daniel Ari. We first encountered Daniel’s vivid and unique poetry on (surprise, surprise) Robert Brewer’s blog, Poetic Asides. I couldn’t wait to get my little paws on Daniel’s chapbook, Monster Poems, and was so glad when I finally did. The stunning black-and-white, evocative illustrations (by Daniel’s talented spouse Lauren) and Daniel’s poetry have created a household favorite – something I read with my six-year-old time and time again, not because it’s a book for children, but because it’s a book that appeals to the Grimm imagination that lurks in all of us. So was I surprised his poem “this glamorous profession” was one of the stand-outs in the contest? No. Was I delighted to get to interview him –  oh, yes! And I know you, as readers, will enjoy his words, as well ![IOB]

IOB [ina]: What was the hardest thing about writing the poem you submitted?

DA: It’s funny because I wrote this in response to a call for submissions of poetry found in the prose of Patrick Sokas, M.D. His daughter decided to create a poetry anthology of found poems, and she posted several essays of his as the finding field for poets. I had never heard of Dr. Sokas before, but it seems that he published articles in The Oakland Tribune, a local paper for me, though his articles were printed long before I moved to the area.

Anyway, that was the score. The hardest thing was staying open to moments of poetry within his prose. I read several essays without sensing the spark. Then I caught a haiku, which was accepted for the anthology. I like “this glamorous profession” more than the haiku, but it may have still been too prosaic for the doctor’s daughter.

Once I found the piece—which also resonated with a poetry prompt at the “Poetic Asides” blog at Writersdigest.com—I had to give myself permission to glean the poem with finer tools than cut and paste. I excised some words from the middle and split some of the dialogue so that the speakers changed. In sum, I took time to tinker this into a poem I enjoyed. That’s not hard for me, though. I like to write poems slowly.

IOB: Who is a poet you admire a great deal, and why?

DA: There are many. On the top of my mind right now is Marna Hauk. She deeply engages her experience of being human on earth. What she writes is astonishingly transcendent, but human—not disengaged at all. She has the insight to write to the heart of experience without getting bogged down in her own emotions. And beyond that, her life’s work is about getting to the healing medicine found in poetry. She is an educator who collaborates in pioneering this kind of poetry-as-world-medicine field.

And that makes me think of Natalie Goldberg, whose poems I have actually never read, but I think of her as one of the writers who has influenced me most. In the same field as Marna, Natalie Goldberg’s take on writing—poetry or prose—or making art of any kind—is about healing and revealing on the larger scale. I think her book “Writing Down the Bones” is required reading for any writer.[note from ina: me, too!]

IOB: Where can people find more of your work?

Monster Poems poster; rights reserved by poster artists

DA: I post poems weekly at IMUNURI. I post other creative things sporadically at Fights With Poems. I’m also placing poems hither and yon. For recent online publications, you can search for me at Poetic Asides, Defenestration Magazine, ShufPoetry, and (I’m very proud of this 2007 publication) McSweeney’s Internet Tendency. In print, Issue 3 of 42 Magazine, issue one of The Wayfarer, and several recent issues of Conscious Dancer include my work.

IOB: Daniel, thank you so much for sharing your poetry and your time with us. We look forward  to hearing about the new places where your poems appear and can be seen, read, heard, and experienced!

Connections: chatting with Jay Sizemore

Jay Sizemore’s poem, “The value of things,” was one of the two winners of our first In Our Books prompt-based poetry contest. IOB took a few moments to chat with Jay about, well, poetry.

IOB: What was the hardest thing about writing the poem you submitted?

JS: I would say it is always a difficult task to write something about a topic larger than one’s self, and yet try and retain the feeling that the poem is coming from that place of genuine emotion. I try to do that with all my work. After I write it, I ask myself, “Is this real, or am I trying too hard to make something work?” Most of the time, I think it is a challenge hard to live up to, because when writers tackle difficult themes, sometimes you have to write outside the scope of your own experiences, and that tends to muddy the waters of the real. Often it is best to, as cliche as it is, “stick to what you know,” and let others attribute themes to your work. But it is fun to try large themes anyway, and as if you couldn’t tell by my piece, I have strong feelings about what the concept of ownership does to society.

IOB: Who is a poet you admire a great deal, and why?

JS: My favorite poet for a long time now has been Bob Hicok. When I was in college, a professor of mine, Dr. Tom Hunley, let me borrow Plus Shipping, because we were writing papers on poets from one of our text books, and I had loved his poem “Absence” so much, I wanted to read more. The paper also had to involve an interview with the poet, and surprisingly he answered my emails, and we actually talked back and forth for a while, when I was going through my borderline-stalker-obsessed-fan phase. Anyway, Hicok’s work has an uncanny sense of realism about it, which I was immediately drawn to. He has a powerful command of language, and image, almost every poem driving that sense of awe into your guts, or twisting words into a kind of hypnosis. It’s the kind of talent you just can’t fake. One can always aspire to reach that level of greatness, but it’s like singing in the shower and thinking you can win American Idol. It’s rare.

[ina notes: just read through Hicok’s Animal Soul on Jay’s recommendation. Really remarkable collection – vivid and vital imagery as well as the rhythm and flow of each work. Great stuff.]

IOB: Where can people find more of your work?

JS: There is very little of my work online anymore, as I have discovered most journals don’t like publishing things that have appeared on even a blog, so I took most of it down. There are several pieces left up on my old blog, The Ghosts of Silence, and I do plan on posting things there that have already been accepted elsewhere. Other than that, what little I have had published you can find at the respective journals, like Red River Review, Wild Goose Poetry, Emerge, Siren, and a few others. I also have gotten some things in a couple poetry anthologies put together from a fairly tight-knit group of poets who met online at Robert Brewer’s Poetic Asides blog: Beyond the Dark Room [disclosure: ina is one of the poets whose work appears in this anthology. All proceeds from this volume will go to Medicines Sans Frontieres/Doctors Without Borders] and Prompted: An International Collection of Poetry. I have also had some short fiction accepted here and there, online in Schlock, and Scholars and Rogues, and in the anthologies No Rest for the Wicked and Fantastic Horror Vol. 4. Most of my fiction is genre-based, I feel I must warn you, but it is fun to write that stuff.

IOB: Jay, thanks so much for talking with us, and for entering our contest. We’ll be watching your future writing progress with considerable interest!

IOB will post our interview with our other winner, Daniel Ari, within a week. Stay tuned!

So much beauty

Japanese poetess and her listeners. Before 1902We almost couldn’t do it. We got so many phenomenal poems that it was hard for In Our Books to decide on a winner for our first prompted poetry contest: “Money, money, money.” Each poem had so much that was special and striking about it:  imagery, idea or philosophy,  message, form (including pantoums, triolets, and limericks), narrative, and voice. We can’t thank you all enough for contributing so much wonderful work.

In the end, we finally managed to settle on not one but two winners between whom we’ll split the prize. The two winning poems are “The Value of Things” by Jay Sizemore and “this glamorous profession” by Daniel Ari. We will be posting short interviews with each of these poets soon as well as the list of runners up. We thank all of you, readers and participants, for sharing with us and one another -we’re so lucky to be in contact with so many terrific writers.

Jay Sizemore’s “The value of things”

Coins pressed into palms like silver stigmata
turn hands into the heads of venomous snakes,
their poisoned fangs penetrating the flesh
of all that is touched or owned.

The whiter the teeth,
the better the slave,
to feed and to bathe,
to whip with the tongues
of black ties like nooses untied,
deciding who lives, and who dies,
distended stomachs, and mouths
full of flies.

These elections are for slugs squirming
under flags faded by light,
pushing past bearded and dirt-caked faces
perched above cardboard signs,
a trail of slime ten miles wide,
waiting for the ambrosia
to trickle down,
mistaking the salt for snowflakes.

These snakes swallow houses whole,
jawbones unhinged, mine mine mine
whispered between meals and flickered
fork tongues, dead eyes wishing
that the sun was for sale.

Daniel Ari’s “this glamorous profession”
after Patrick Sokas, M.D.

Bill took an interest in my suit.
“Where did you get it?”

I looked at my feet and mumbled.

“I have one just like it.”

I glared. “This was my only suit, a mail-order suit.”

“You probably saw a picture on a model.”

“It looked good, though it was probably pinned up in back.”

“You said, ‘I want that suit.’”

“Actually I said, ‘I can afford that suit.’”

Bill took away my notebook,
and he played reporter for a while.

Hurrah!

By Australian National Maritime Museum on The Commons

A big thank you to the writers and readers who came by to contribute poetry and read the terrific submissions for our first prompt contest! The contest is now closed – can’t wait to read all of these again (suspecting it’s going to be tough to choose between them!).

Thanks again – we look forward to “seeing” all of you  at future prompts!

Wednesday Alert

 

Did you hear the bells on Wall Street?

We hear them every day, all over the world – only today, the sound should remind you that our contest here on www.inourbooks.com will soon be closed.

You have about 8 hours to join in.

And you might come along and enjoy some great inspiring poems posted here already.

Again, if you have the words, please share them with us.
The bells are ringing.