I think it says something about me as a writer (or as a person) that I find it more interesting to read about other writers than to write about my life or the writing process. I’m once again in possession of articles about writing that I feel much more obligated to share with other writers than whatever is going on in my own life, writing or otherwise.
I used to read a poem at the end of each biology section when I was a TA. Part of me thought I was crazy, but another part of my recognized the way that good poems work, with parts that each contribute to a larger whole, rather like a human body. And when you have a classroom full of premedical students, well, that just seems like an obvious audience. Glad to say that if I was crazy, I was also not alone: Maybe poetry and science aren’t so far apart after all
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I love Billy Collins – he’s not my fave poet laureate (that honor still goes to Ted Kooser) but I do like his lightness of touch and his ability to speak to basic human conditions. There’s a lovely little interview with him
in the Washington Post. What I happened to love best were his thoughts on memorizing poetry; my mother made me memorize many, many poems (a lot of Robert Louis Stevenson’s poems, which I’m afraid have been permanently embedded in my brain, leaving less room for what I’ve done with my car keys or whether I checked out 6 or 7 library books), and I think he’s right about what a gift that is.
An interview with the poetry coordinator of the Geraldine Dodge Foundation, Michele Russo, caught my eye for a couple of reasons. She calls herself more of a hobbyist poet but I recognize many of the signs of having a worthwhile job while still writing some, including joining workshops just to get oneself writing. If you don’t know about the Foundation and/or want to read a charming interview, this is a lovely read for you.
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And last but definitely not least, we move away from poetry. This blog is followed by several people who are “self-published” or “indie published.” A letter by Roger Sutton
(editor in chief at The Horn Book) about why he doesn’t review self-published books has been making the rounds on FB and twitter, and I’m curious…what do you all think about his reasons for not reviewing these books? (Here’s what Ron Charles of the WaPo thinks
). He says that this is not nearly as much of a problem in other genres of self-published books as it is in children’s lit – do you think that’s right? Do you think we’re missing things by these books not being reviewed, and if so, what?